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This program is
supported by the Ford
Foundation
Date: Fridays,
January, 4, 11, 18 & 25,
2008
Time:
5:30PM to 8:00PM
Place: 25 West 43rd
Street, 19th Floor,
between
5th & 6th Avenues, Manhattan
Free Admission
New
Addition to Series
Lineup
February 14, 2007
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Valentines Special
Turn Left, Turn Right
(Hong Kong, 2003)
Will Take Place on
10th Floor, Room 1000
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Please note that seating
is extremely limited,
and that we are only
able to accommodate up
to 50 attendees per
session.
Registration will only
be accepted per
session on a weekly basis.
Registration
does not guarantee
seating, as your seat
will be forfeited to the
next person on the
waiting list if you
arrive later than
5:40PM.
There is no on-site
admittance without prior
registration.
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Why spend your winter
evenings
at home, when you can
visit AAARI, and
experience the best
films that Asians have
to offer from around the
globe? This four session workshop will
guide viewers on a
retrospective study
through some of Asian
American / Asian
cinema's most beloved
and highly acclaimed
films from the past
few decades.
Series
Lineup
(All films
shown in
their native
language,
with English
subtitles.)
Warning: Some
films may contain adult
content that may be
deemed objectionable.
Please note this warning
before registering for
this workshop. Thank
you.
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Instructor
Biography
Vinit Parmar
is fluent in
English, Hindi,
Gujarati, and
French.
Educated in
medicine, law,
film and
theater, he
began practicing
law in New York
City and has
worked in the
areas of
corporate,
banking,
commercial real
estate,
insurance,
landlord tenant,
family,
immigration,
criminal, and
entertainment,
including
copyright and
contracts.
In film, he
works as a sound
mixer and editor
for a variety of
genres in both
documentary and
fiction films,
many of which
have received
regional and
national awards
and
accreditation,
and other awards
or nominations
at festivals
such as
Sundance,
Slamdance,
United States
Super8 Film +
Digital Video
Festival, and
the Fringe
Festival.
Vinit enjoys
teaching full
time as an
Assistant
Professor at
Brooklyn
College’s Film
Department, and
he writes,
produces,
directs, shoots,
and edits short
films and
documentaries.
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