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2011 - 2012
Biographies
Linda T.
Chin,
Esq. has
practiced law
for over twenty
years. She
served as the
Counsel to the
President at
Hunter College
for over 16
years, practiced
corporate law at
Con Edison and
served as
General Counsel
for the New York
State Judicial
Commission on
Minorities.
Presently, Ms.
Chin is an
Assistant
Professor of
Legal Studies at
St. John's
University where
she teaches
Employment Law,
Social Security
Disability Law,
and Elder Law.
Professor Chin
received her
Bachelor of Arts
Degree from the
City College of
New York and her
Juris Doctor
from Brooklyn
Law School.
Wellington
Chen
is Executive
Director of the
Chinatown
Partnership
Local
Development
Corporation.
Wellington is a
highly respected
public servant
and long-time
community
advocate, urban
planner and
urban affairs
specialist. As
senior
consultant/advisor
of the Planning
Advocacy Group
for the past
decade, Mr.
Chen--a
long-time
Flushing
resident--has
been deeply
involved in
numerous
community
projects,
including the
downtown
Flushing
revitalization
plan. Wellington
was also the
first Asian
American to
serve as a
Commissioner on
the New York
City Board of
Standards and
Appeals. Mr.
Chen co-founded
Tri Plus
Construction
Corporation in
1989, a company
dedicated to
creating
affordable
housing in New
York City.
An architect by
training,
Wellington
worked for
renowned
architect I.M.
Pei from 1980 to
1985. He has
been a member of
Community Board
7Q for over 13
years, and
currently sits
on a dozen other
boards,
including the
City University
of New York, the
Metropolitan
Museum of Art,
Queens Economic
Development
Corporation, and
Asian American /
Asian Research
Institute.
Wellington was
born in Taiwan
and grew up in
Singapore, Hong
Kong and Brazil.
Fay
Chiang
has been a poet,
visual artist,
community and
cultural
activist in NYC
Chinatown and
the Lower East
Side for the
past 40 years.
At the Basement
Workshop (the
first Asian
American
nonprofit
multidisciplinary
cultural
organization in
NYC and the east
coast) she began
as a volunteer
for the Yellow
Pearl project
and Bridge
Magazine and
moved on to
coordinate and
develop Amerasia
Creative Arts in
1973 and became
its executive
director from
1974 to 1986.
Director of
Henry Street
Settlement’s
Asian American
Outreach
Program; project
manager/special
sections editor
in NY Newsday’s
Public Affairs
Office, and
director of
Poets & Writers’
Readings/Workshops
state-wide
re-grant
program, she
joined Project
Reach in 2000
and is currently
working in
program
development,
crisis
counseling for
young people at
risk and
supporting youth
and adults
living with
HIV/AIDS.
Author of 3
volumes of
poetry: 7
Continents 9
Lives
published in
2010 by Bowery
Press and In
The City of
Contradictions,
and Miwa’s
Song by
Sunbury Press in
1979 and 1982
respectively.
Her poetry and
prose have been
published
nationally and
internationally
in numerous
poetry
anthologies and
literary
magazines
including:
The
Bowery Poetry
Cafe Women’s
Poetry
Anthology,
Mamapalooza/The
Mom Egg,
Amerasia
Journal, Tribes
Magazine,
Voci Dal
Silenzio (I
Canguri/Feltrinelli,
Milan),
Changer
L’Amerique:
Anthologie de la
Protestaire USA
(La Maison de la
Poesie, Rhones-Alps)
Girls: An
Anthology
(Global City
Press), Quiet
Fire, (Asian
American Writers
Workshop, NY),
Ordinary
Women
(Ordinary Women
Books, NY),
American Born
and Foreign,
(Sunbury Press,
NY).
A recipient of a
New York State
CAPS Poetry
grant, a Revson
Fellowship at
Columbia
University, a
Lifetime
Achievement
Award from New
York
University’s
Asian/Pacific
American Studies
Department as
well as The Five
Colleges, MA,
Fay has taught
poetry, visual
arts and
playwriting as
an artist in
residence in
venues including
the 63rd
Street Y’s
Writers Voice,
Plays for
Living, Project
Reach, Art in
General and
Dramatic Risks.
A fine arts
student at
Hunter College
of CUNY, she
received a
Bachelor of Arts
from the School
of Visual Arts
in New York
City. As a
Revson Fellow at
Columbia
University, she
studied
scriptwriting
and film
history. In
2003-2004, she
was the artist
in residence at
New York
University’s
Asian/Pacific/American
Studies program,
where she worked
on her
book-length poem
Chinatown,
and participated
in classroom
discussions and
public
programming. In
2004-2007 as a
visiting scholar
under the
auspices of NYU/APA’s
program, she
continued her
research work
for “Chinatown”;
and worked on a
book-length
poetry
manuscript, “In
This Life”,
based on her
conversations as
a breast cancer
survivor with a
friend living
with AIDS.
October 2011,
she was a fellow
at the Gardarev
Center, Boston
where she
continued work
on “In This
Life” and
started work on
her memoir.
In Spring/Summer
2006, she
completed:
archival
recordings of
her work with
Jack Tchen and
Jason Hwang at
NYU/APA; and a
one-act play,
“Two Boots and a
Ball Gown”, that
was read at NYU/APA
September 2006.
Fall 2007 she
began
co-production of
a documentary by
Mark Waren on
the Café Cino,
the seminal
theater
(1958-68) that
catalyzed the
Off-Off
Broadway,
experimental and
gay theater
movements in New
York City’s East
and West
Village.
A frequent
speaker at
colleges and
community based
organizations,
Fay has also
begun making
visual art and
exhibiting again
after a 3 decade
break consumed
by arts
administration,
parenting and
battling breast
cancer since
1994. She has
had 7 major
bouts/surgeries
in the past 17
years.
A volunteer for
Zero Capital,
Orchard Street
Arts and
Advocacy,
October 22nd
Coalition
Against Police
Brutality, and a
board member for
nonprofits:
BorderStatements,
When I Walk, and
Dramatic Risks,
Fay lives in the
East Village and
is mother of the
inimitable Xian.
Margaret
M.
Chin
joined the
Sociology
Department at
Hunter
College/CUNY in
September 2001,
and is the
author of
Sewing Women:
Immigrants and
the New York
City Garment
Industry
(Columbia
University
Press, 2005).
Professor Chin’s
research
interests focus
on new
immigrants,
working poor
families, race
and ethnicity,
and Asian
Americans. Her
current research
projects include
a book
manuscript on
how Asian ethnic
media is used by
first and second
generation
Asians and Asian
Americans; a
comparative
chapter on
differences and
similarities
among Brooklyn’s
Chinatown,
Flushing’s
Asiantown and
Manhattan’s
Chinatown;
and a paper how
young student
parents balance
parenting and
school.
Professor
Chin was
a Social Science
Research Council
Post Doctoral
Fellow in
International
Migration, a
Woodrow Wilson
National
Fellowship
Foundation
Junior Faculty
Career Grant
Recipient and a
Gender Equity
Project
Associate. She
has taught The
Sociology of the
Family, The
Second
Generation
Experience of
Asians, Latinos
and Blacks, the
Graduate Social
Research course
in qualitative
research
methods, and a
CUNY Honors
College
Seminar – The
Peopling of New
York.
Professor Chin
received her BA
in Applied
Mathematics from
Harvard
University and
her MA and PhD
in Sociology
from Columbia
University.
Chiwan
Choi is
a writer,
editor, teacher,
and publisher.
He has been a
member of the
Los Angeles
Poets & Writers
Collective since
1989. His poems
and essays have
appeared in
numerous
journals and
magazines,
including ONTHEBUS,
Esquire,
Chiron Review, and
CIRCA.
Chiwan’s first
major collection
of poetry, The
Flood,
was published by
Tía Chucha Press
in April, 2010.
His students and
clients have had
various works
published in the
past couple of
years, including
the bestseller,
Upper Cut,
by Carrie White
(Atria Books).
After a two-year
stint in New
York, where he
received an MFA
in Dramatic
Writing from the
Tisch School at
NYU, Chiwan
returned to Los
Angeles where he
and his wife,
Judeth Oden,
launched a new
publishing
company to
feature Los
Angeles writers,
Writ Large
Press, in March
2008.
Chiwan's new
poetry
collection,
Abductions,
is due out at
the end of
February 2012
and he is also
finishing up
Exit to Hope
Street, a
collection of
short stories.
Alyson
Cole
is Associate
Professor of
Political
Science at
Queens College
and the Graduate
Center, where
she has been
based since
2002. She is the
recipient of the
2008 President’s
Award for
Excellence in
Teaching, and
her research and
teaching
interests bridge
political theory
and American
politics/culture.
Cole’s work
links central
questions of
political
thought—especially
formulations of
justice, the
nature of
subjugation, and
the possibility
of resistance or
change—with an
examination of
concrete
political
ideologies,
rhetoric, and
law/policy-making,
emphasizing
aspects of
subject-formation,
gender and
race/ethnicity.
Cole is the
author of The
Cult of True
Victimhood: From
the War on
Welfare to the
War on Terror
(Stanford
University
Press, 2007).
Her articles
have appeared in
Signs,
American Studies,
Feminist
Studies,
the Michigan Law
Review, and
the National
Women’s Studies
Association
Journal. She
is on the
editorial boards
of Women’s
Studies
Quarterly
and
International
Journal of
Criminology and
Sociological
Theory.
Currently, Cole
is working on a
new project on
affective labor.
Yunah Hong is an award-winning video/filmmaker, based in New York City. She grew up in Seoul, Korea. She studied art history, photography and design at the Seoul National University, graduating in 1985. Two years later she earned an M. A. in computer graphics at the New York Institute of Technology. While working as a designer in New York, she began to experiment with video. She has now made seven films, ranging in scale from a one-hour documentary to short experimental productions.
Her first work, “Memory/all echo” (1990), is an experimental video based on the Dictée by Theresa Hak Kyung Cha. It was broadcasted on CUNY-TV in 1991 and has been distributed to libraries and universities throughout the U.S. Her second “Through the Milky Way” (1992), is an experimental video evoking the experience of Korean women immigrants in Hawaii at the turn of the century. It was awarded First Prize in Video Art at the 1992 Tam Tam International Video Festival in Italy and broadcast on WNYC-TV. Her short film, “Here Now” (1995), frames a day in the life of a woman who, at age 30, finds her mind bouncing between fantasy and reality. It was awarded the Special Jury Award at the 2nd Seoul Short Film Festival in Korea 1995. Her feature screenplay, “Monday”, was an official selection of PPP 1998: Pusan International Film Festival Film Market in Korea.
Her documentary, “Becoming an Actress in New York” (2000) is about three Korean American actresses who pursue their big dreams in New York. It was broadcasted in Korea in 2001 and 2004. It was named a final nominee for aMedia’s 2001 Ammy Awards for Best Documentary. Her documentary, “Between the Lines: Asian American Women’s Poetry” (2001) brings forth how the lives of Asian American woman poets are reflected in the poetry they produce. It received a CINE Golden Eagle Award in 2002. It has received critical acclaim and has been exhibited throughout the States.
Over the past nineteen years since she became a video/filmmaker, her video/films have focused on women, and the arts. She has worked on various genres of film and video -- experimental, drama, computer animation and documentary -- to explore the possibilities of video/film form and new ways to visualize personal stories and history. Currently, she is in the final stage of finishing a new documentary, “Anna May Wong: In Her Own Words” which will combine her previous experience of working in both documentary and fiction filmmaking to create a memorable portrait of Wong’s extraordinary life. She also published an article about Wong, “A Twentieth Century Actress” with Peter X Feng in Quarterly Review of Film and Video, Routledge in 2006.
She is a recipient of the New York Foundation for the Arts fellowship in video (2000, 1992), the Media Alliance Media Arts fellowship (1993), and the Art Matters fellowship (1995). She received funding from the New York State Council (2004, 2002, 1999 & 1995), the Jerome Foundation (2006, 1994), the Asian Women Giving Circle (2009), Urban Artist Initiatives (2008) and the Pyramid Arts Center's Diverse Forms Artist Project (1992). She also received a media fund and a James Yee mentorship award from Center for Asian American Media in 2008 and 2005.
She served as video grant advisor to the New York Foundation for the Arts (2004-8).
Wen
Jin is
an Assistant
Professor of
English and
Comparative
Literature at
Columbia
University. Dr.
Jin received her
BA from Fudan
University,
Shanghai, and
PhD from
Northwestern.
She specializes
in
twentieth-century
American
literature;
Asian American
literature;
narratology;
theories of
race, ethnicity,
and (trans)nationalism;
Sinophone
literature; and
twentieth-century
Chinese
literature.
Dr Jin recently
completed a
book,
Pluralist
Universalism: An
Asian
Americanist
Critique of U.S.
and Chinese
Multiculturalisms,
which compares
fictions of
multiculturalism
from the U.S.
and China in the
post-Cold War
era. She has
also been
published in
Contemporary
Literature,
American
Quarterly,
Critique
(forthcoming),
and the edited
collection,
Minority Serial
Fictions.
She has written
articles in
Chinese as well,
and is a Chinese
co-translator of
Hemingway’s
True at First
Light (Yiwen,
2000). Her new
project
investigates the
intersections of
secular magic
and cognitive
theories of
narrative
impact.
Aruni
Kashyap is a writer from India’s north-eastern state of Assam. Most of the world know about Assam for its tea plantations. But very few know that this Indian state which produces two-third of the world’s tea has been reeling under an armed secessionist resistance movement against the Indian state since 1979. Due to the strong campaign of disinformation that the Indian government has been encouraging ever since the Assam-India conflict started, very less about this humanitarian crisis is discussed even in the Indian media. Aruni’s fiction and poetry deals with these issues in complex ways and they have appeared in journals such as Tehelka, Pratilipi, Indian Literature, Muse India, Live Mint : the Wall Street Journal, Himal Southasian, The Houston Literary Review, etc.
His debut novel The House With a Thousand Novels, that is due in July 2012 has received immense pre-publication interest from the Indian media. The novel tells the story of a family in an Assamese village during the secret-killings of the late 90s. The secret-killings were a series of extra-judicial executions of families and members of the rebel organisation ULFA allegedly conducted by the Indian government to weaken the insurgency. Reminiscent of the Dirty War in Argentina, this horrific event in India’s history was rarely reported in the media.
Aruni’s poems have been anthologised in the Oxford Anthology of Writings from North-East India (Oxford UP) and Writing Love: An Anthology of Indian English Poetry (Rupa Publications, Delhi). He is currently completing his second novel while attending the MFA program at Minnesota State University, Mankato.
Shazia
Khan
is a General
Assignment
Reporter for NY1
News. Shazia has
covered
everything from
the September
11th attack and
its aftermath,
to arts and
entertainment
issues, to
cultural and
lifestyle
stories.
Having
reported and
produced a
variety of
segments,
Shazia’s
favorites
include those
celebrating the
city's cultural
and religious
diversity. In
2005, she served
as mistress of
ceremonies at
Gracie Mansion
to help launch
Immigrant
History Week
with Mayor
Michael
Bloomberg.
A second
generation
Indian-American,
the Westchester
County native
graduated from
New York
University with
a BA in
Broadcast
Journalism. In
2006 she won a
South Asian
Journalists
award for her
profile of the
Bangladeshi
community in New
York City.
She credits her
accomplishments
to the support
of her parents,
Rasheed and
Shamsa Khan.
Chungmi
Kim, a
Korean-American
poet and
playwright, is
the author of
poetry books,
Glacier Lily
(2004)
and Chungmi—Selected
Poems (1982),
and
also a
screenplay,
The Dandelion,
which received
the first place
Open Door
Writing Award
from the Writers
Guild
Foundation,
West. Her poetry
has been
included in
numerous
anthologies and
featured on
Garrison
Keillor’s
National Pubic
Radio program
The Writer’s
Almanac
and in Poetry
Society of
America’s
“Poetry In
Motion” program
in Los Angeles.
Ms. Kim
received an Emmy
nomination as
co-producer of
“Korea: The New
Power in the
Pacific,” a
documentary for
KCBS-TV. Her
play, Comfort
Women, was
produced at
Urban Stages in
New York and
consequently
published in
New Playwrights
The Best Plays
of 2005 by
Smith and Kraus.
Its translated
version in
Korean, Nabi/Comfort
Women, was
produced at the
Seoul Theatre
Festival in
Korea and also
in Vancouver and
Toronto in
Canada with
English and
Chinese
subtitles. Ms.
Kim is a member
of the
Dramatists Guild
of America.
Susan S. Kim,
M.D. is a
rheumatology
fellow at
Hospital for
Special Surgery.
She has focused
her research
endeavors in
understanding
health
disparities and
chronic illness
in the systemic
lupus
erythematosus (SLE)
population. Her
current project
is examining the
relationship
between
health-related
quality of life
and the concept
of social
capital, which
is an expansive
concept that
includes facets
such as
sociability,
social networks,
trust and
reciprocity,
community and
civic
engagement, in
SLE patients.
Dr. Kim received
her Bachelor of
Arts degree in
Sociology at
Williams College
in
Massachusetts,
her medical
degree from the
New York Medical
College, and
completed her
Internal
Medicine
residency at the
New
York-Presbyterian
Hospital/Weill
Cornell Medical
Center.
Kyoo
Lee
is currently
Assistant
Professor of
Philosophy at
John Jay
College, CUNY,
where she is
also affiliated
faculty for
Gender Studies
and Justice
Studies
Programs. In
addition, she
teaches courses
and leads
faculty seminars
in feminist and
critical
theories at the
CUNY Graduate
Center, where
she started as a
Mellon Faculty
Fellow
(2009-2010).
Dually trained
in Continental
philosophy
(Warwick Univ.)
and literary
theory (London
Univ.), Kyoo Lee
publishes widely
in the
intersecting
fields of the
theoretical
Humanities such
as Aesthetics,
Asian American
Studies,
Comparative
Literature/Philosophy,
Continental
Philosophy,
Critical Race
theory, Cultural
Studies,
Deconstruction,
Feminist
Philosophy,
Gender Studies,
Poetics,
Post-phenomenology
and Translation.
Her first and
forthcoming book
is titled
Reading
Descartes
Otherwise
(Fordham
University
Press), which
explores
Cartesian
alterities such
as blindness,
madness,
dreaminess and
badness, in that
order;
currently, she
is working or
else sitting on
a few other
“alterities”
projects,
including one
that looks at
intersectional
differences
between
xenophobia(/philia)
and racism.
Eliza
Ngan-Dittgen,
B.A. is
the Program
Associate at
LANtern (Lupus
Asian Network)
since 2010. In
this capacity,
she assists in
the coordination
of program
activities with
community-based
agencies, with
the goal of
raising
awareness and
knowledge about
lupus. Prior to
this, she was a
volunteer Peer
Health Educator
for the program
for seven
years. Ms.
Ngan-Dittgen
uses her
personal
experience with
lupus coupled
with her
knowledge gained
over the years
to increase
public awareness
of this illness
especially
within the
Chinese
community.
Eliza is fluent
in Chinese and
received her BA
from the
University of
Toronto and
Hospitality
Diploma from
Switzerland.
Yoon Jung
Park is
a Visiting
Scholar-in-Residence
at Howard
University, and
a non-resident
Senior Research
Associate of the
Sociology
Department at
Rhodes
University. Dr.
Park obtained
her PhD from the
University of
the
Witwatersrand
(Sociology); MA
from Fletcher
School at Tufts
University
(International
Relations); and
BA from Pitzer
College
(Sociology and
Women’s
Studies).
Dr. Park is the
author of A
Matter of Honour.
Being Chinese in
South Africa
(Jacana/Lexington
Books) and
numerous other
articles and
book chapters in
scholarly
publications
including Les
Temps Modernes,
African Studies,
and the Journal
of Chinese
Overseas.
Her current
research
interests
include Chinese
in southern
Africa and
perceptions of
Chinese by local
communities;
migration; race,
ethnicity and
identity; race,
class and power
dynamics; and
xenophobia. She
also has done
work on issues
of gender and
gender-based
violence in the
US and South
Africa,
international
development, and
arts & culture.
Mohammad
Razvi
is the Executive
Director and
Founder of
Council of
Peoples
Organization (COPO).
He was born
Pakistan and
emigrated with
his parents to
the United
States when he
was six years
old. Following
the attacks of
September 11th,
Mohammad founded
COPO to help
Arabs, South
Asians and
Muslims in New
York City with
the backlash
they were
experiencing.
Today, COPO
continues to
support,
empower, and
educate these
communities and
help them
strengthen bonds
with their
larger
multi-cultural
city and beyond.
Falguni A.
Sheth is an Associate Professor of Philosophy and Political Theory at Hampshire College. Professor Sheth holds a B.A. in Rhetoric and minor in South Asian Studies from UC Berkeley, and an M.A. and Ph.D. from the New School for Social Research. She works in the areas of continental philosophy, political philosophy and legal theory, critical race theory and philosophy of race, post-colonial, theory, and sub-altern and gender studies.
Professor Sheth has published numerous articles and two books, Race, Liberalism, and Economics(coedited, U. Michigan Press, 2004) and Toward a Political Philosophy of Race(SUNY Press, 2009). Her most recent book argues that racial divisions are fundamental to polities, and argues this point through the examples by exploring the situation of Muslims and Arabs, the caste system, the practice of veiling, and the history of liberalism.
Professor Sheth's current research is in several areas: hybrid subjectivity and race; Foucault’s biopolitics in the context of legal subjectivity; the emergence and legal construction of Punjabi-Mexicans at the turn of the 20th century; and the metaphysics of misrecognition. Sheth has served on the Immigrant Rights Commission of San Francisco and Hampshire College's Board of Trustees, and is an organizer of the California Roundtable for Philosophy and Race.
Robert
Teranishi
is Associate
Professor of
Higher Education
at New York
University and
Principal
Investigator for
The National
Commission on
Asian American
and Pacific
Islander
Research in
Education, a
project funded
by the College
Board and USA
Funds. He is
also a faculty
affiliate with
The Steinhardt
Institute for
Higher Education
Policy and a
consultant for
the Ford
Foundation’s
"Advancing
Higher Education
Access and
Success"
initiative.
Prior to joining
the faculty
at NYU,
Teranishi was a
National
Institute of
Mental Health
postdoctoral
fellow at the
W.E.B. DuBois
Institute at
the University
of Pennsylvania,
Teranishi's
research is
broadly focused
on race,
ethnicity, and
the
stratification
of college
opportunity. His
work has been
influential to
federal, state,
and institution
policy related
to college
access and
affordabiity.
Teranishi has
provided
congressional
testimony
regarding the
Higher Education
Reauthorization
Act and No Child
Left Behind,
informed state
policy decisions
related to
selective
college
admissions, and
his research has
been solicited
to inform U.S.
Supreme Court
decisions on
affirmative
action and
school
desegregation.
Teranishi is the
recipient of the
2010 Martin
Luther King, Jr.
Faculty Award
from NYU and was
recently named
one of the
nation's top
"up-and-coming"
leaders by
Diverse Issues
in Higher
Education. His
most recent book
published by
Teachers College
Press is Asians
in the Ivory
Tower: Dilemmas
of Racial
Inequality in
American Higher
Education.
Mingmei
Yip
was born in
China, received
her Ph.D. from
the University
of Paris,
Sorbonne, and
held faculty
appointments at
the Chinese
University and
Baptist
University in
Hong Kong. Dr.
Yip is the
author of Peony
Pavilion (2008),
Petals from the
Sky (2010), and
Songs of the
Silk Road
(2011). In
addition to her
English language
novels, Dr. Yip
has published
five books in
Chinese, written
several columns
for seven major
Hong Kong
newspapers, and
has appeared on
over forty TV
and radio
programs in Hong
Kong, Taiwan,
Mainland China,
and the U.S.
URL: www.mingmeiyip.com
Ying
Zhu
is Professor and
Coordinator of
Cinema Studies
in the
Department of
Media Culture,
and Director of
Modern
China/East Asian
Studies Group at
the College of
Staten Island,
the City
University of
New York. Prof.
Zhu's writing
has appeared in
media journals,
online
publications and
edited volumes
in the US,
China, and
Europe. She is
the author of
Chinese Cinema
during the Era
of Reform: the
Ingenuity of the
System
(2003) and
Television in
Post-Reform
China: Serial
Drama, Confucian
Leadership and
Global
Television
Market
(2008); editor
of TV China
(with Chris
Berry, 2009),
amonst others
and is
co-producer of a
TV documentary,
"Google Verses
China" for Dutch
National TV. Her
first major
trade book on
China Central
Television,
Two Billion Eyes
is forthcoming.
Prof. Zhu is the
recipient of
American Council
of Learned
Societies
Fellowship
(2007-08) and of
the 2006 Fellow
of National
Endowment for
the Humanities.
She co-curated
“Chinese Film
Retrospective”
at New York’s
Lincoln Centre
in 2005 and
contributed
major articles
to the China
Studies blog of
"the New York
Times."
Prof. Zhu is
currently
working on a TV
documentary
about the
revival of
Confucius
classics among
Chinese college
youth.
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